You can see my Steller version HERE
I’ve been a slacker with organisation all over the board since even before Christmas, so rather than make any excuses, I’ll just get on with the snaps again…January and February is always a settling in time 😉
More on my Steller Stories here
Each year at my Artist’s Open House in Brighton I create an installation in my shed/studio…themes over the years have included Shipwrecks, Pioneer’s Cabin, Nesting, Frozen in Time and the White Shed.
Earlier this year when I was working on the #myStJames project I visited Floris in Jermyn St, London; the oldest perfumers in the country, and I was absolutely fascinated with how a perfumer almost seems to paint with scent. ( you can read an earlier post about it here )
It made me become incredibly preoccupied with scents and memories which is why I decided I wanted to crete a space where people could almost smell their past and to ‘dress’ the shed with a feeling of nostalgia and personal history; something smell and scent gives immediate access to.
When I told Floris what I was going to do they kindly provided me with lots of scent samples which I was then able to subtly place within drawers, boxes, tins, jars and even a couple of handbags and a book; sometimes on their own and sometimes combined with other elements…I was also so chuffed when Susan Beech from A Petal Unfolds agreed to let me include some of her incredible paper flowers and Cable and Cotton gave me extra lights for the ceiling.
Also as a synaesthetic artist I often paint smell ( and taste ) and so also included within the installation some paintings which depict scent. When I was little my mum put a scented sheet of purple paper into a drawer in the spare room…I used to go in on a rainy day just to open it and take in that smell.
I can still recall it; not in a very tangible way, but more like recalling a dream; one of those you never forget…
As an abstract painter I enjoy emotional responses rather than representative, and was completely taken by surprise when I found myself weeping at the scent of ‘Iris’ having emotionally revisited one of the happiest times and places of my life 30 years ago, for a matter of seconds.( the handbag above contains ‘ Madonna of the Almonds’ by Floris as well as a dusting of talc, the small top box contains ‘ 1962’ scent by Floris and the glass jar contains ‘Lily of the Valley’ by Floris )
( the binoculars case below contains Scent ‘No. 127’ by Floris, blended in the 1800’s. It’s one of my favourites because it is like directly smelling history ) ( drawer above contains ‘Palm Springs’ scent by Floris ) ( drawer above contains ‘Cerifo’ scent by Floris ) ( drawer above contains ‘Edwardian Bouquet’ scent by Floris ) ( drawer above contains ‘Honey Oud’ scent by Floris ) ( bag above contains ‘Mahon Leather’ scent by Floris ) ( above is some of my mother’s old cream from the 1970’s and a box with pencil shavings inside ) ( drawer above contains ‘1988’ scent by Floris ) ( lilies and a painting of their scent behind )There are 75 smells in the shed which you can experience in boxes, jars and drawers ( anything containing a smell has a little round sticker on unless it’s a plant ).
You can pick and choose and let the smells take you back to places you’d forgotten or never even thought about.
The identity of the smell itself shouldn’t be important; it’s where it takes you in your memory which should be savoured.
So far people have had some incredible responses and everyone has come out telling me stories of smells from their childhood or past…some of my favorites so far have been:
‘I’ve just smelt a ghost’
‘That smells like an old lady’s chair’
‘Oh my God, that’s the school soap!’
‘I’ve just visited my Grandpa’s front room’
( tin above contains ‘White Rose’ scent by Floris )( incredible hand made paper flowers inside a drawer with the scent of Floris’s ‘Edwardian Bouquet’ from A Petal Unfolds )
I’ve also included some smells which are not so nice…not many, but I wanted people to experience a range, so if you visit, beware of this tin…it contains asafoetida!!There’s nothing quite like opening a drawer or a box which not only has some interesting bits and pieces inside but which also has a specific scent…I have absolutely loved putting this installation together and I think it is only the start of a new phase for me of working artistically with smell!You can visit the Open House and experience The Scented Shed, in Brighton during the last 3 weekends of November 11am – 5pm, and you can follow the accounts @64sandgate on Instagram and Facebook for more details
Ever since I was little, I’ve always found Autumn really busy, beautiful and exciting; it’s almost like there’s too much to fit in!
…Anyway here’s the catch up!
My new calendars are in my shop here, and if you use the checkout code: 5FTINFAUTUMNALORDER you’ll receive a 10% discount.
You can see the Steller Story of this post here
You can see the Steller app version here
Steller Story app version here
You can see the Steller Story version on the app here
You can see the Steller Story version of my Weekly Snaps here
I was expecting a perfume shop with an old fashioned interior, and maybe some old fashioned perfumes…what I wasn’t expecting was an appointment with their bespoke perfumer and how incredibly affected I would be by their scents; how massive memories came flooding into my head at the mere whiff of Iris and Lily of the Valley and how I felt like I was almost time travelling via my olfactory system…
I am acutely aware of my senses and how important they are having synaesthesia and have been painting my interpretations of sound, taste and smell for a number of years, creating abstract representations of how I see smell in terms of colour, texture and shape ( you can see a post about a recent fragrance project here and some of my flower scent paintings here ) and have realised what a meditation it is to really focus on what a smell is, but when I’m painting I’m focusing on what it all looks like, not how it makes me feel.
And so the reason that my visit to Floris was such an incredible experience was in part due to the fact that for the first time in ages, I was smelling and feeling, rather than just concentrating on what it was, and I really hadn’t anticipated what an emotional experience that would be…
When I arrived I was introduced to Carim who gave me a tour of the shop, whose mahogany fixtures and fittings are all original from the Great Exhibition in 1851, as well as their fragrances… which totally took me by surprise.
One of their classic fragrances is No.127 which was the first bespoke scent ever blended for the Russion Emperor in 1890 ( and which later became a favourite of Winston Churchill and Eva Peron ). Smelling it was like suddenly experiencing time travel; I was smelling what someone had smelt like in 1890 and I found it extroidinary and quite emotional. We can all look at antique clothes, objects and buildings and imagine what life was like in a different age, but to actually smell what part of life was like in Victorian London, felt so alive; almost like smelling a ghost…It was truly wonderful, and since my visit it’s the one scent I can’t stop thinking about and suddenly smelling out of nowhere.
‘Lily of the Valley’ also made me well up…they were my late father’s favourite flowers and just having a smell of this scent made his memory suddenly so present and close by.
Carim also showed me the back of the shop where there is a collection of Floris’s history. Floris was established in 1730 by it’s founder Juan Famenias Floris and his wife Elizabeth and they began selling perfume, combs and shaving products at 89 Jermyn Street where the shop remains today and which is still the heart of the business and run by their descendants with Edward Bodenham being 9th generation and the ‘nose’ of Floris.
There’s a wonderful display of old perfume bottles, hair combs ( for which they received their first Royal Warrant in 1820 ) photographs and letters from customers including one from Florence Nightingale in 1863.
After my tour around the shop I was taken to the back room where appointments for bespoke fragrances take place where I met perfumer Penny Ellis…
Apart from the sheer magic of the room, I was completely fascinated by the chemistry of the whole process. I loved the combination of musical and visual language which goes into describing smells; base notes and accords. Smell often comes and goes, and I really like the fact that somehow it’s like music in the air, something you have to just be with and quietly acknowledge, but something you can’t hold or touch or see in front of you.
Penny let me smell some of the base notes and I was so surprised at the delicacy of musk and the sweetness of amber. I hadn’t realised that the accords were the complimentary smells which go into blending, what seems to me to be a work of art..I think a bespoke perfumer is really a scent artist, something I hadn’t ever considered before, but something which has really inspired me artistically and something I want to focus on in my painting.
I chatted to Penny about smell and memory; about how when I was 13, I had had a life changing and wonderful experience working at the RSC in Stratford-Upon-Avon for a year, and when the play, ( A Midsummer Night’s Dream ) finished I kept some of the make up we had used and used to go and smell it occasionally to make my happy memory real again which was always a bitter sweet moment. She told me she had a scent, a note, she thought I’d like; Iris…and this was the one which really made me cry: I was suddenly back in 1986 in a dressing room overlooking the River Avon with an overwhelmingly lovely feeling of such an exciting, innocent and fun time, and then almost in the same moment it was too much to bear. Those beautiful moments in my life were suddenly there and yet not there, all at once…it was chemistry, memory and magic all at once, and although it made me cry it was also something I felt comforted by, knowing that I can in fact go back in time, even if it’s just for a tiny moment…
So I can totally understand why bespoke perfumery exists..it is the most wonderful sensory experience ever…
…and these are the Floris ledgers, full of fragrance orders from John Profumo to Lady Olivier.So this week I went back to Floris, as I really wanted to photograph some of the bottles with flowers from my garden as well as extra Lilly of the Valley and sweet peas…
I used one of their earliest fragrances ‘Limes’, first blended in the 1700’s and used by Florence Nightingale in the Crimean War ( who also wore ‘White Rose’ along with Admiral Nelson ).
‘Lily of the Valley’ was also first blended in the 1700’s and ‘Rose Geranium’ in 1890 ( famously worn by Marylin Monroe and Isabella Blow ). ‘Edwardian Bouquet’ is a Floris classic and was blended in 1901 and ‘Fleur’ is one of their more modern fragrances.
They have a little table at the back of the shop which I used to create the images below… As I mentioned before, I feel really artistically inspired by this visit which genuinely caught me by surprise as I had been focused on just taking photographs…sometimes it takes something out of the blue to reconnect things in your brain, and this experience certainly did that…
Floris doesn’t just feel like a shop, it feels more like an immersive experience and the staff are also brilliant and so committed to what a gem of a place they work in… …and I certainly have a new art project in mind and many hours smelling ahead!You can see the Steller Story version here
So, today I was organising some of my paintings, as I really like to start new pieces in March, and that precipitated the idea of a Winter Art Sale…
I’ve put a few paintings in my shop and will be offering a 25% discount until March 6th with the code: 5FTINFwintersale
…and now I have tidy up the day’s distractions!