Category Archives: colour

Wednesday…with Greenhouse Textures ( Part 2 )

June 21, 2017

Filed Under : colour - Gardens - London - Summer - texture - trips

Chelsea Physic Garden in London was a discovery for me in March and has recently inspired some of my new silk designs. The greenhouses are really wonderful, as are the textures and plants… and the journey of a design…

You can find my silk designs in my on line shop HERE and if you use checkout code: SILKSALE20 you’ll be able to get a 20% discount…there’s also a Steller Story version of this post which you can flip through HERE 

Friday…The History of Modern Medical Science ( Part 4 )

April 28, 2017

Filed Under : Art - collaborations - colour - Gardens - London - moving stills - My Home - Spring - The History of Modern Medical Science - trips

For the final part of this project one of the things I thought I’d look at something I reckon we’re all pretty scared about which is pain and this led me to visit Chelsea Physic Garden as I was interested in historical Native Remedies for pain.

When I was reading a witness statement from Witnesses To Modern Biomedicine I was amazed that until about 1965 there was an enormous amount of ignorance about pain and subsequently there was a lot of acute pain particularly in end of life situations and the thought that ‘men didn’t need powerful drugs’ for pain but women did, seems extraordinary.

A large percentage of us have usually experienced some form of severe pain or at least witnessed it as often it occurs at births and deaths.I certainly remember that after having my emergency c-section I would lie in the hospital bed listening for the sound of the pain relief trolley rattling down the corridor, desperate for it to arrive…

And then when my father was in his last days in hospital he would suddenly have an attack of awful pain which was swiftly taken away by a dose of morphine…the magic of seeing that was incredible, and such a relief, to witness.

The relatively recent advancements of pain relief are something that I am personally so grateful for but also just amazed that it is possible.

The witness statement below is from Dame Cicely Saunders, physician and the founder of the Modern Hospice Movement

Going to St Joseph’s Hospice, which was virtually untouched by medical advance, I was able to introduce records and the regular giving of morphine, which they hadn’t started, and according to one of the sisters of the ward that I was first in, it was the change from painful to pain-free. Having been given four patients to look after, I was soon looking after every admission into those 45 beds. So I began keeping records in detail, pre-computer, on a punch card system, and making tape recordings of patients talking about their pain from 1960, and I realised that what we were looking at was what I described later, in 1964, as total pain. And I will quote from one patient, when I said to her, ‘Tell me about your pain, Mrs H.’ She just said, ‘Well, doctor, it began in my back, but now it seems that all of me is wrong. I could have cried for the pills and the injections, but I knew that I mustn’t. Nobody seemed to understand how I felt, and it seemed as if the whole world was against me. My husband and son were marvellous, but they would have to stay off work and lose their money, but it’s so wonderful to begin to feel safe again.’ And so she has really talked about the physical, the psychological, the social, and her spiritual need for security to look at who she was, coming to the end of her life. And for another patient it was, ‘All pain and now it’s gone, and I am free.’ It is not possible to treat pain in isolation. We have to consider the whole person.

and this one from Professor Duncan Vere, Clinical Pharmacologist

I will say that until about 1965 there was entrenched ignorance, a tremendous amount of severe pain. Patients who were in severe pain, or dying with pain, were often given the Brompton cocktail, or Mist. Obliterans, as it was politely known, and it was a matter of patients being rendered so that they didn’t know what they were doing, by doctors who certainly didn’t know what they were doing. They were using medicines with actions that they couldn’t understand, because they had this complex mixture of cocaine, morphine, gin, sometimes with phenothiazine added. Parsimony was the order of the day, which rendered control impossible. Pain breakthrough was frequent, and intermittent control is disastrous, if only for the reason of the self-augmentation of pain. Hospice care had, of course, begun but somehow it didn’t seem to have come across into the general medical and surgical field in hospitals and general practice.

I think for a lot of people the idea of hospitals is really terrifying particularly for births and deaths. I think it probably has a lot to do with the lack of comfort there, and consequently a prevention of relaxation. They’re public spaces after all, so I can absolutely understand why treatments at home would be preferable.

It was also really interesting to read about some of the advancements into home treatments, like Home Dialysis for example. The witness statements below are from parent and patient and actually illustrate the difficulties of coping with being treated at home;

Dr Jean Northover, Scientist and parent of Dialysis patient

Diana had two siblings and really dialysis had to be a normal part of the family pattern; it couldn’t take priority. The other two children needed attention. The last thing I would like to say is that the funny thing about home dialysis is that when we had got past the ten-year mark – we went on for about sixteen years before Diana got a transplant in 1985 – what we found was that you worked so hard and you had so little rest, that when finally you’d finished with the dialysis, the Kiil (part of the dialysis equipment) was put on the local dump and the transplant was working, you couldn’t really remember what you had been doing a lot of the time. So this was extreme, emotional, psychological, and mental fatigue. I don’t know what the two sides of the brain were playing at! But I kept a friendship going with another dialysis mother, and she said, ‘I need you as my witness, because I have got to talk to somebody, I have got to know that we really went through it.’ She suffered from the same thing. So when people say, ‘Oh, go and learn French by total immersion’, I have to say that what we learnt on home dialysis was certainly ‘home dialysis by total immersion’.

Mrs Diana Garratt, childhood Dialysis patient

I am a renal patient, started in 1969. It was January 1970 when Rosemarie Baillod came round to set me up at home on haemodialysis with my first shunt and I remember the room very well. We had a de-aerator, it looked like a toilet cistern, high on the wall above the bed. Actually, I think I was dialyzing on the table at that time, we hadn’t organized the bed. The rest of the family went on around us; we had a small TV, my younger brother and sister and the cat, who went very soon after because it was sitting there watching the pulsating blood lines and that was very nerve-wracking, very, very nerve-wracking. We got through it, but it was an enormous effort. Every day you were either on the kidney machine, or you were hoping that the machine, which was not at all reliable compared with the modern machines, would work, that the kidney would not burst, that you wouldn’t have a blood leak.

When I gave birth to my son, it was a tricky time and there was no way we’d both still be alive if I’d have had a home birth. I had the continual intrapartum fetal monitoring when I was in labour which worked out to our advantage so it was really interesting to read that in the 1960’s when that technology was in its infancy, the enthusiastic obstetricians and midwives carried screwdrivers in their top pockets so that they were able to adjust the temperamental new apparatus when required.

But what I found really intriguing this week was the subject of Native Remedies and how there is a feeling that a lot more research could be done into these areas…

The witness statement below is from Consultant Anaesthetist, Dr Mark Swerdlow

We set up a study in the early 1980s in three developed countries and three underdeveloped countries to see what the situation was at that time, what sort of treatment patients were receiving and what sort of pain relief, if any, they received. At that time I went to two or three very poor countries, to see cancer patients in hospital, and it was pathetic to see the worse-than-basic conditions within the hospitals. I remember the women’s ward in one hospital in Sri Lanka in particular – there must have been 12 or 14 women there with really advanced cancer – and as I walked round the ward, none of them seemed to be in great pain. I asked the young doctor who was in charge of this ward what treatment they were receiving. He said, ‘They get two tablets of aspirin a day’, and I just couldn’t believe it. I asked, ‘Do they not receive anything except two aspirin tablets a day? Don’t they get any sort of native herb treatment of any kind?’ He said, ‘Well, yes, they do get a native medication,’ and when I asked, ‘What’s in the native medication?’, he said, ‘Oh, I don’t know that.’ I have often wondered since then why somebody hasn’t gone out there to study those herbs and what’s in them, because they looked to be pretty effective.

I was really interested in this notion of native remedies being on hand and able to control pain so I thought I’d visit The Chelsea Physic Garden as I know that so much can be gained by what plants have to offer humans and this garden had beed dedicated to that since the 1673.
I was amazed at how beautiful the garden was, but actually I was more amazed at what I learned there…obviously I knew plants were good for your health, but I hadn’t appreciated how integral they are to medical science.

I felt quite ignorant discovering that the source of Aspirin was a perennial herb!
As a teenager I had epilepsy and I took a drug called Sodium Valprorate for years, ( even during my pregnancy which has recently been in the news as a dangerous drug to take at this time ).

But I had absolutely no idea that it was actually synthesised from a plant called Valeriana Officinalis and there it was growing in Chelsea Physic Garden.…along with many other useful and common plants and weeds ( I also liked how chocolate had been advised for consumption! ) The opium poppy is fascinating too..It’s the source of morphine, but unlike other pain relief, it works on the brain rather than the nerves, preventing the perception of pain rather than stopping it. It’s so interesting that a drug which we know can be so destructive when taken as heroin, can actually be used in such a beneficial way.

Another witness statement from Dame Cicely Saunders, physician and the founder of the Modern Hospice Movement concerning morphine is below:

At about the same time, in March 1948, I was impelled by the stories of my patients that I had experienced first as a nurse, but most of all as a social worker. I knew I had to do something about end-of-life pain and I went, as a State Registered Nurse volunteer, to one of the early homes. There I found that the nurses seeing the prescriptions of morphine four-hourly ‘PRN’, pro re nata,
as needed or as requested, by the doctors, quite quietly took ‘PRN’ off and gave the drug four-hourly, so as to prevent pain ever happening. This regular oral four-hourly giving of morphine dates back to 1935, fairly soon after the Brompton cocktail was put together. Now I was very impressed by this, because the patients were so much better with the pain control than the ones I had seen in hospital before then. During that time I took Mr Norman Barrett, the surgeon I was working for, to see this, and to visit a patient at home and so on. When I said to him, ‘I am going to have to go back and nurse the dying somehow,’ he said, ‘Go and read medicine. So many doctors desert the dying, and there’s so much more to be learnt about pain, and you will only be frustrated if you don’t do it properly, and they won’t listen to you.’ So I did read medicine.

There seem to be quite a few plants which have this duel capacity; my teenage son informed me that nutmeg can also be hallucinogenic and cause severe illness if taken in large quantities…( I think the quantities have to be pretty large though! )And then we come to Cannabis…Reading about some of the research on Cannabis I was surprised to learn that there has been resistance to utilising patient based information from volunteers who had used cannabis during illness with marked benefits.

A study on 6 mice who got better was heralded as ‘actual proof’, as opposed to research of 4500  patients, 1000 who got better, but which was said to be irrelevant because of the different quality of data.

However since 2010 Sativex, a specific extract of Cannabis , was approved as a botanical drug in the United Kingdom as a mouth spray to alleviate neuropathic pain, spasticity, overactive bladder, and other symptoms of multiple sclerosis .

Witness Statement below from Dr Geoffrey Guy, Industrial Pharmacologist

A large number of patients have reported, in the vernacular, that use of street cannabis in smoked, cooked or other forms, was giving them marked benefit. My temptation was to believe them. Why other people didn’t, I’m not sure. What was interesting when we started the programme was that as soon as we announced it, people started writing to us. We had a secret address and still do, but they wrote to the newspapers that covered the stories; they wrote to the BBC; they wrote to the Home Office. We used to receive a mailbag from the Home Office once a week. Over time, we had about 4500 patients who wrote to us and about 30 per cent of them had experience with cannabis. We then drew up, I think, a 70-point questionnaire and wrote back to them all. We wanted to know everything about what they did: where they found their cannabis; what type it was; whether they felt some was better than others; what caused them to take more; what caused them to take less – supply was the problem that caused patients to take less, not side effects – and what other medicines they’d been on. We found a very clear picture of what the material could do and what we had to do then was to try to maintain that. Information from David Baker’s research, and a lot of research throughout the world, was beginning to add biological and scientific credibility to a quality of data, which, sadly in this day and age, physicians don’t heed very well. I think it is at their risk that they don’t heed and don’t seem to listen to the patients. I know that David’s study was absolutely heralded as ‘the actual proof ’, in that six mice got better; so that was fine. The fact that we had 4,500 patients, 1,000 of whom had got better, was irrelevant, because it was a different quality of data.

And finally I wanted to touch on one of my favourite paragraphs from Witnesses To Modern Biomedicine by Dr César Milstein, Molecular Biologist, Immunologist and Nobel Laureate which has the heading of ‘Laziness’

Laziness is the mother of good science. Creation comes from moments when you don’t have anything to do. When you have no teaching, and basic admin, and extra commitments are seen to interfere with research, what if you have strong motivation, and don’t know what to do? If you are teaching, you can fill your gaps by teaching, but researchers have to fill the gaps with thoughts. Applications of science are important and socially attractive but they detract from the single mindedness of research.

I also really liked what Dr David Wheatley, Consultant Physchiatrist says in his Witness Statement:

I learnt more in unofficial discussion around the swimming pool, than I did from any of the formal presentations, because I met people, I talked to them informally, and I got many ideas and contacts from that very nice relaxing two hours. There is a lot to be said for not overburdening your conferences with too many papers.

I suppose I like these last 2 witness statements as being an artist I often spend time, rather guiltily, either sitting doing nothing other than drinking tea and looking into the distance, or doing things I love, like gardening or cycling, when I feel I should be working. But it’s usually in these moments that I have my best ideas or inspiration…they’re important moments when the pressure is off.

Reading these statements reassures me that this is all just part of the process, both scientific and artistic and over the last couple of months since working on this project I have become more aware of creative similarities between researchers and artists.

This project has been a real journey of discovery and the stories and witness statements I have focused on here in Part 1, Part 2, Part 3 and this Part 4 are only the tip of the iceberg. Some of the other stories I found fascinating involved Facial Recognition, the Familigram, Self Experimentation, Obstetric Ultrasound and the first designs of the Ultrasound Scanner, but there are loads and if you are curious you really should have a read of Volume 50 which is an A–Z, comprising of a series of extracts from previous volumes, contributors include clinicians, scientists, patients and numerous others involved in modern biomedicine, in the UK and beyond. Topics in it range from ‘age discrimination’ to ‘Zantac’, and feature memories from every decade between 1930s and the present. The History of Modern Biomedicine Research Group hosted its first Witness Seminar, on monoclonal antibodies, in 1993 and since then more than sixty such meetings have been held. These all sought to go behind-the-scenes of contemporary biomedicine to find out ‘what really happened’.

I have genuinely been surprised at how inspired I have been artistically from science and medical based information and so excited when the science, the research, nature and art have all come together.

It has also meant that the ‘fear’ element of all things medical has definitely been shifted for me…my mother was SO right when she told me that if I took great interest in something it would become less intimidating, less fearful, and far more interesting, and I have personally found that I can now add ‘inspiring’ to that list of benefits.

You can look at the visual Steller Story version of this post here  my instagram posts here and some of my Pinterest inspiration for the whole project here.

You can also find out more about The Modern Biomedicine Research Group funded by The Wellcome Trust, on their website here , their Facebook page here , their YouTube Channel here and their Twitter account here.

Thursday…The History of Modern Medical Science ( Part 3 )

April 20, 2017

Filed Under : Art - collaborations - colour - moving stills - Museums - short poem films - The History of Modern Medical Science - trips

In this third week of my work with The History of Modern Medical Science, I wanted to look at a recurring theme which seem to run through quite a few of the stories from Witnesses To Modern Medical Science.

It became apparent to me that the element of hobbies, external interests and passions often lead to a greater understanding or insight into some aspect of research.

Professor Estlin Waters for example was an epidemiologist ( the branch of medicine which deals with the incidence, distribution, and possible control of diseases and other factors relating to health. ) as well as a keen naturalist and spent time on the island of St Kilda  writing notes for ornithological journals about birds, particularly the wrens, and grey seals and he could later see the connection with monitoring wildlife to population based research.

( below is the Witness Statement from Professor Estlin Waters, Senior House Officer – MRC Pneumoconiosis Research Unit )

In my case, there was an overlap between counting birds and epidemiology. I had been interested in birds from a very young age but I was also interested in the scientific side of birdwatching, especially bird migration and bird numbers. When I was on St Kilda I wrote about a dozen papers and short notes for ornithological journals and for the Proceedings of the Zoological Society of London on various aspects of birds and on the grey seal. I was interested as a naturalist. At that time I didn’t have any real knowledge of statistics. It was my birdwatching that kept me scientific during my medical student days. I used to read some of the bird journals; the medical journals were too heavy to read as a student. I don’t know how some of our medical students now manage, but they can and do. I felt the teaching we had at London was not very scientific, it was more of an apprenticeship: I do this, so you do this. The birdwatching kept me critical of the scientific side of things. When I joined the MRC it was very much the other way round. It was the epidemiology that was the scientific side, and I think I have been able to apply a bit of it to my birdwatching. The two have run together, one perhaps ahead of the other, but the two are related. I think that someone who wants to count wrens on St Kilda has got something in common with someone who measures the haemoglobin level in a population. My experience of working alone on St Kilda and writing papers on natural history probably helped me when starting in medical research.

I was inspired by his witness statement to take a trip to my local Natural History Museum in Brighton; The Booth Museum. I also wanted to look at some wrens close up as he had been so intrigued by them.

The whole museum is like a historical exhibit in itself, being primarily full of Victorian stuffed animals, and collections of insects and minerals… While I was there I also wanted to look at the collections of butterflies and moths as there were another couple of stories relating to them…

Professor Peter Harper, medical geneticist, describes how important it is to sometimes stand back from immediate specifics in one field, whether that’s serology, paediatrics or obstetrics for example, and look at it as a kind of research problem from first principles. He describes how Sir Cyril Clarke, a physician and geneticist, was particularly talented in this area. He says in his witness statement:

Workers in genetics use model organisms all the time, and now in human genetics one shifts, as indeed Cyril did then, between one species and another without much trouble. We know the genomes are all very similar. I think Cyril may have chosen butterflies as a rather unorthodox model organism, and I am quite sure one of the reasons he chose them was because they were more enjoyable than something like Drosophila ( fruit flies ) to work with.

I was also interested by the statement below from James Lovelock, who then worked in the Common Cold Unit, about how Sir Christopher Andrewes (  the virologist who helped discover the influenza virus ) used to take the researchers to the New Forest looking for butterflies as entomology was his sideline:

One of the things I remember most fondly about the days at Harvard Hospital were visits from the parent institute in London of Christopher Andrewes, Forrest Fulton, and other scientists, and there would be the most long and intensive discussions on the virology of the problem. Andrewes had a wonderful trick of suddenly coming into one’s lab in the afternoon and saying, ‘I say, would you like to go for a walk in the New Forest?’ He had a car and, of course, in those days very few people did, and we would be driven into the New Forest and he would be carrying his butterfly net, because his sideline was entomology, and there, while walking along the path, one would talk about what experiment should be done next on the common cold.

I really loved looking at the butterflies and moths as amazing and incredibly detailed manifestations of design and which then in turn completely inspired a new project for me into silk scarf designs, and so although I have taken the aesthetic qualities of something in nature, I can absolutely see how a scientist could look at the genetics of an insect and be inspired to take their research into areas they may not have considered before.There was also a witness statement which made me think how much easier life is, especially for the medical profession, now that we have plastic.

Now plastic isn’t something I usually get excited about ( although there’s a great song by The Beautiful South you can listen to here about Tupperware and Plastic! ) but reading about how it has basically revolutionised work in hospitals is staggering, and to imagine life and health care without it it is actually a bit scary. The fascinating witness statement here is from Professor David Galton ( physician and secretary to the MRC working party on Leukaemia )

I think very few people below a certain age can remember our working conditions in the early 1950s. For example, nowadays people use butterfly cannulas for intravenous transfusions and they can do all kinds of things with them. In our day we had dreadful glass syringes; they had a central nozzle and there was no way you could get into a small vein – we always had to use the cubital fossa veins. If we wanted to put up a drip, for example, we had to rummage about in a great cardboard box where there were lots of rubber tubings of different sizes, and we had to fit these up and stick them into a glass rod that fitted into a hole in a cork in a bottle – we didn’t have any plastic transfusion equipment. All this took a great deal of time.
and Dr Pamela Davies, ( consultant paediatrician ) who worked in Neonatal Intensive Care describes how essential the introduction of plastics was for their department:

In 1962, Victoria Smallpeice in Oxford started feeding babies who weighed 1,000 to 2,000g at birth early, with expressed breast milk. The relatively newly available polyvinyl feeding tube passed into the stomach was a great advance over the teaspoon and ‘fountain pen’ dropper. An enthusiastic young nursing staff showed that even ill babies could be fed small amounts frequently from soon after birth with indwelling tubes strapped in place.

This was of particular interest to me as my son had been in intensive care immediately after he was born, and I remember those feeding tubes leading to his stomach, which I hated, but which were helping to keep him healthy. This story made me realise just how much I personally take for granted with these recent advancements which weren’t available before the 1950’s.

And there was one story, connected to plastics:

Dr Ethel Bidwell ( research scientist in blood coagulation ) was working in Haemophilia research in 1950 and was helping pathologist, Professor R G Macfarlane, to devise new ways of treating haemophiliacs. She had to collect blood from the local slaughterhouse for her research and only had her Vespa to transport it. It conjures up a bit of an odd image but illustrates again how important plastics are:

I went down to the slaughterhouse on my Vespa motorbike and I came back with a large glass container. I got concerned lest I tipped off my motorbike and tipped blood on the floor. People don’t realise that plastics were only just coming in. It cost me about the equivalent of a week’s wages to buy a plastic container to put the blood in so that it wouldn’t break on the road to Oxford.

And finally there was a short witness statement which, as a very slow reader, I found really interesting ( and which inspired me to create a tiny stop frame film ), from Professor Alan Baddeley ( Director of MRC Applied Psychology Unit ):

At the Applied Psychology Unit, John Morton, among other things, used to do some research on speed-reading, at least he used to do practicals on speed reading. This would involve all the students being encouraged to bring a paperback book and to read it for x minutes, followed by a period when John would urge them to go faster and faster and faster, and demonstrate then that they could actually read a lot faster, and that there was nothing very magical about it. It was just that we tend to read slowly – it’s a habit.

Speed Reading stop frame film below…

Just  to go briefly back to what I said earlier in the post about being inspired by butterflies but in a slightly different way from Sir Cyril Clarke, here are some of the patterns I’ve created from elements of this particular post which are now silk pocket squares. I had absolutely no idea that this project was going to lead me into designing a selection of textiles, and I’ve really enjoyed the fact that my passion for aesthetics has been able to be informed by genetic research, epidemiology, early plastics and the psychology of speed reading!

Next Week I’ll be focusing on various elements of comfort within modern medical history including pain relief, native remedies and advancements into home care.

You can look at the visual Steller Story version of this post here my instagram posts here and some of my Pinterest inspiration for the whole project here.

You can also find out more about The Modern Biomedicine Research Group funded by The Wellcome Trust, on their website here , their Facebook page here , their YouTube Channel here and their Twitter account here.

Monday…with Windows and Walls of St Fagan’s

April 10, 2017

Filed Under : colour - Museums - Spring - texture - The History of Modern Medical Science - trips

St Fagan’s was one of those accidental finds…my friend told me about it the day before I left for Wales and it was one of the best museums I’ve ever visited, and to be honest it is full to the brim of ‘Instagram Gold’!

I was exploring some creative opportunities for The History of Medical Science project ( Part 1 is here and Part 2 comes out later this week ) and I took so many photos it was ridiculous; I couldn’t stop…but here I’ve sort of honed it down to lots of the windows of St Fagan’s which I got a bit obsessed with…

Visuals below; words will just clutter things…

If you want a day out at a fantastic and inspiring museum in Wales, this is your place…St Fagan’s website here for all the details!

You can see my Steller Story version of this post here

Wednesday…with a Weekend Workshop

March 22, 2017

Filed Under : Arrangements - colour - Cornwall - Spring - texture - trips - workshops

This weekend I hosted a bespoke workshop in Cornwall and made sure I packed in as much creative inspiration into 2 days as I could.

I wanted to highlight how lots of different elements influence my table compositions; texture, colour, atmosphere and weather, as well as sharing some of my favourite places in the South of Cornwall.

We took in texture in Newlyn,  Mousehole and Tremenheere, colours in Penzance and nearby daffodil fields, and atmosphere in a local pub and The Leach Pottery and also managed to find time to create some compositions.

Below is a visual journey of our weekend…
Please e-mail me at 5ftinf@gmail.com if you are interested in a bespoke, private workshop.

You can see the Steller Stories album of this post here

Thursday…with a Yorkshire re-cap

February 16, 2017

Filed Under : Arrangements - colour - trips - Winter

This Half Term my son and my mum decided they wanted to watch films together ( as well as a couple of ‘Midsommer Murder’s’ I expect if my mum had anything to do with it!! ) for 3 days at her house in Warwickshire, which meant I was able to sneak off to Yorkshire to visit my cousin Rachel @welliesandlove … ( well we’re sort of cousins;, her Grandmother and my Grandfather were an item for years! )

Rachel’s mother sadly passed away last year which meant she has suddenly inherited her Grandmother’s boxes of vintage threads, costume jewellery and old magazines which I helped her rummage through, and we spent hours into the night looking at it and arranging it  just for the sake of it…

I also became obsessed by Rachel’s windows…particularly the round ones and now have them on my bucket list for the perfect home!

I love driving North to see friends and Yorkshire is probably my favourite part of the UK and I was able to visit a couple of other friend’s too as well as meet up with Sara Tasker from Me and Orla ( instagram @me_and_orla ) to chat about all things creative and Instagrammy for her new podcast; Hashtag Authentic, which you can listen to HERE

So, here follows my visual re-cap of a lovely few days away…
( above is Rachel’s Grandmother Louise, and both of us below with our mums and Louise circa 1986! ) ( I amused 2 small elves just before their tea time by getting them to collect items and toys in their favourite colours so I could create eye-spy images for them…) ( magazine pages from 1948…imagine what instagram lifestyle images would have looked like then! ) domestic foraging for white things with Sara Tasker after we’d recorded the podcast muted tones were replaced that evening with wine and multi coloured thread action… …which was still there in the morning! I got home to Brighton last night and this morning was inspired by my trip; Sara’s white ceramics, Rachel’s boxes of treasured bits and as always telephone boxes…