More on my Steller Stories here
Whilst I was staying at Ty Unnos with artist Sophie Abbott as part of my field trip for The History of Medical Science project I’d had an idea that I could work on an arrangement with some copper piping, and then quite wonderfully, Dorian who owns and runs these utterly beautiful welsh cottages knocked on the door bearing heather, lichen, blossom, pegs and a feather…
For more information about Ty Unnos and the other cottages you should go to The Welsh House website HERE and have a look at my previous post about the house itself…it’s amazing and I massively recommend it!
You can see The Steller Story version of this post is here
You can see my Steller Story of this post with extra videos here
At the beginning of this year I had a meeting with Professor Tilli Tansey to talk about working on a creative digital project connecting to The History of Modern Biomedicine…I was really excited as I’m fascinated about the connections to be found within science and art and also it’s not your usual Instagram project, so I jumped at the chance.
Tilli Tansey OBE is a Professor of the History of Modern Medical Sciences at Queen Mary, University of London, and for the last 5 years has been working on a research project funded by The Wellcome Trust, “The Makers of Modern Biomedicine: Testimonies and Legacy”, recording oral testimonies from people who have contributed significantly to modern medical science.
My job was to find a way to illustrate some of these testimonies visually; creating photographic compositions to share on Instagram, here and Steller Stories and create opportunity for more people to access and read about this research particularly at The History of Modern Biomedicine website. Over the next 3 weeks I will be sharing my photographic illustrations as well as a bit of background around them and what stories interested me.
To be honest medical and science-ey things often make me feel a bit uncomfortable as I don’t feel the aesthetics oozing out of them like I do with plants and colour, so I knew the project was going to be a challenge…I fundamentally wanted to create images which draw you into a wider context and which also pull out details which not just science based people could connect to.
I read Volume 50 of ‘ Witnesses to Modern Biomedicine”, An A-Z’, to work out which stories sparked up images, or an interest which may provoke an image.
( You can read it by clicking on this link here and as it’s an A-Z you’ll be able to find the corresponding stories to the images I’ve created really easily ).I can honestly say that the project made my brain work overtime on a creative level, as some of the witness statements cover subject matter that most people don’t encounter, and probably don’t want to encounter, on a daily basis…but it has led me to actively think about science, and particularly the researchers and what they have achieved for the greater good over the last century and specifically over the last 50 years. I have discovered connections with my own artistic processes, Roman history, the benefit of passions, and a dedication to vocational work; all of which have made me a lot more able to engage with health issues which can be difficult sometimes, and at times frightening.
Some of my mother’s best advice to me, and she still says it, is that if you’re scared of something you have to make yourself become fascinated by it; look at it in detail, find the colours in it, understand exactly what it is, and even make a project out of it.
I remember desperately trying to heed that advice during my emergency c-section in Lewisham Hospital; trying to be really interested in what was going on rather than being scared by it…I have to say it wasn’t a massively successful task that night, but it did give me a focus!
So, knowing I have a tendency to be slightly squeamish ( which I wanted to overcome through gaining a more defined interest ) I started with some witness statements which, although quirky, did not freak me out completely and were actually incredibly interesting…
As some of the research has been put into an A-Z of witness statements, one of the first stories I discovered was…
In the 1970s we were looking at the effects of small amounts of alcohol on driving performance – this was before the breathalyser came in – and I set up an experiment around the streets of Cambridge. I was using the dual-task method for measuring peoples’ performance, giving them a subsidiary task to do as they drove around, and I set this up with a local car club. All car clubs met at a pub somewhere in Cambridge and we would go along and the people who volunteered would be there and I would say, ‘While I am telling you what I would like you to do, because we are developing this method of measuring drivers’ performance, would you like a glass of sherry?’ One of my colleagues, by the way, paid for the sherry, not the Medical Research Council, and I was able to do a proper experiment by treating the subjects, some of them to one glass of sherry, and some to two glasses of sherry. Naturally I had to join them, so it didn’t look phoney, and then we went out and ran the experiment. They would show that even after one glass of sherry there are ways of measuring small changes in drivers’ ‘reserve capacity’, as we called it at the time, but it was a bit naughty.
I found it fascinating to learn that research data had been obtained in such an informal way, and it seems that a lot of research over the years was obtained like that, and sometimes these methods got very useful results easily, whilst some of the basic research experiments have definitely been helped by progress…
Booth: The method you used in the early 1950s for measuring the severity of a cold was simply measuring the weight of a number of tissues was it?
Porterfield: Not so much weight as quantities. There were several different markers. How many handkerchiefs they used, whether they were sneezing and coughing; these would be recorded for each volunteer and then at the end of the trial these would be totted up.
Another piece of wise advice my mother always advocated from my late teens was to make sure I always booked that appointment for the thing which makes every woman I know shudder…the cervical smear!
How incredible then that this way of testing has proved so invaluable to women over the years and has become such an important part of identifying early cancerous cells. So it was incredible to learn that when these tests were first offered to women in 1964 there were actually no formal plans of how it should be done and basically every pathologist became responsible. However as the job was so time consuming the pathologists were willing to take on people with basic training, on a trial basis, during which time they were given no office and no desk. Professor Dulcie Coleman ( consultant cytopathologist ) remembers having to set up her microscope on the mantlepiece of the fireplace where she was left to get on with it.
Mrs Marilyn Symonds ( cytologist ) describes below how important the early cytoscreeners were:
To start with, we had people who were formally training to be laboratory technicians and then I think it was probably in the 1970s that we took on a group of women, mainly part-time, who became cytoscreeners. They were different to the people who were qualified with the Institute of Biomedical Science (IBMS); they didn’t have any formal qualifications, and they were often derided and called shopping-bag screeners, but they were absolutely fantastic at what they did. They were able to sit down quietly and concentrate and look at every cell that was being passed under the microscope, and I can say that that group of women now are nearly all retired, and it’s extremely difficult to replace them. The IBMS now think that we should have biomedical scientists with degrees and formal qualifications in cytology, but I can honestly say that on the whole they are not nearly as good at screening as those women from the 1960s and 1970s.
And so, on to the last witness statement for this week which is one which I found kind of jaw dropping, so much so that I had to Google it ( you can see an interesting wikipedia page about it here )…although by the time I had reached the ‘P’ section I was more interested in the stories than horrified..Placentas ( witness statement below by Professor Alan Emond ALSPAC )
It was common practice, but not widely known, that maternity hospitals used to sell placentas for cosmetics. It was traditionally viewed by the midwives as a bit of a perk, and the money that was gained, I think in most hospitals, went into what was effectively a slush fund for midwives to use. It was only a small amount of money per placenta and I suspect the cosmetic companies made huge profits out of it. The important thing was that most women who delivered didn’t know that that was going to happen, and the hospitals were, in my view, unethical in not telling them. So when ALSPAC came along and wanted to take the placentas away, this was a potential barrier to the midwives’ participation. I’m not sure how we managed it, but we managed to pay 50p per placenta.
Next week I’ll share more images from the field trip I took to Wales, which was inspired by a lot of the Fieldwork and research which took place there.
You can look at the visual Steller Story version of this post with extra images from ’the cutting room floor’ here , my instagram posts here and some of my Pinterest inspiration for the whole project here.
You can also find out more about The Modern Biomedicine Research Group funded by The Wellcome Trust, on their website here , their Facebook page here , their YouTube Channel here and their Twitter account here.
This weekend I hosted a bespoke workshop in Cornwall and made sure I packed in as much creative inspiration into 2 days as I could.
I wanted to highlight how lots of different elements influence my table compositions; texture, colour, atmosphere and weather, as well as sharing some of my favourite places in the South of Cornwall.
We took in texture in Newlyn, Mousehole and Tremenheere, colours in Penzance and nearby daffodil fields, and atmosphere in a local pub and The Leach Pottery and also managed to find time to create some compositions.
You can see the Steller Stories album of this post here
Yesterday I was invited to The Greenwich Peninsula to see the new floral art installation ’The Iris’ by Rebecca Louise Law at the NOW Gallery… The gallery itself is lovely and I was particularly taken with their mini pink cinema… Over this weekend there is also a free event called SAMPLE which is celebrating the start Spring showcasing fresh produce and modern craftsmanship with workshops and even an experimental perfume club! All these little marquees were preparing for the weekend ahead… I was also treated to cocktails and a really wonderful dinner at Craft, the restaurant directly opposite the gallery… The views are absolutely fantastic and it manages to be spacious and cosy at the same time… The restaurant is beautiful and the food, a lot of it locally sourced, is absolutely amazing! It was such a treat to visit a new area of London, let the afternoon bleed into the evening watching the sun go down over the city and wake up inspired.You can view my Steller Story version of this post, which includes video of the trip HERE
( lovely breakfast with Bulova watches ) The new Paper Aviary in St James’ Market, London An Edward Hopper postcard from the new exhibition After The Fall at The RA in London This mug is in support of The Human Rights Campaign…you can buy one on line here You can see the Steller Story version of this post here
Towards the end of last year I was asked if I’d like to contribute something to the NAFAS Sping edition of ‘The Flower Arranger’ Magazine…
I was really thrilled as it had been my late Granny’s favourite magazine, having been an avid flower arranger with The Coventry Flower Club since the early 1960’s.
I have held on to lots of her flower arranging bits and pieces ( including the metal frogs and ikebana snips and books in the image above ) as I knew they meant so much to her…little realising how much influence they were going to have on me over the last few years.
She would have been so surprised but also really happy that I had had something published in this magazine, so I wanted to create some arrangements which somehow included her and her work too…I have her sketchbooks, lots of photos of her arrangements and certificates… …she was evidently pretty skilled as these First Prize cards date from 1966 – 1995She had also achieved her advanced diploma in Ichiyo ikebana by 1973……and this is an image I really love as here is Beryl Stanton running what looks like a flower arranging workshop on a lovely wooden table!These were obviously some arrangements she was most proud of…even though they seem rather dated now…She had a beautiful garden too which I spent many weekends running around ( and dodging mud ‘grenades’ my brother would hurl at me from across the lawn! ) this photo is so reminiscent of summers spent there…I can almost smell it I also have a selection of some of her ceramics which she used. The keyhole one is my absolute favourite but they’re all brilliant to work with… …and here is her 25 years of flower arranging badge …and her NAFAS apronIt’s strange, but also quite comforting, to realise the influence someone has had on you during your childhood when you weren’t even noticing…I really wish I could have had a chat to her about it all, or even a class with her in her shed…
However, at least I’m able to share a bit of that history here…even though she’d have been completely freaked out by anything digital!You can order a copy of the Spring Issue of ‘The Flower Arranger’ HERE which is full of really interesting ideas and also a great piece about Japanese Cherry Blossom!
This Half Term my son and my mum decided they wanted to watch films together ( as well as a couple of ‘Midsommer Murder’s’ I expect if my mum had anything to do with it!! ) for 3 days at her house in Warwickshire, which meant I was able to sneak off to Yorkshire to visit my cousin Rachel @welliesandlove … ( well we’re sort of cousins;, her Grandmother and my Grandfather were an item for years! )
Rachel’s mother sadly passed away last year which meant she has suddenly inherited her Grandmother’s boxes of vintage threads, costume jewellery and old magazines which I helped her rummage through, and we spent hours into the night looking at it and arranging it just for the sake of it…
I also became obsessed by Rachel’s windows…particularly the round ones and now have them on my bucket list for the perfect home!
I love driving North to see friends and Yorkshire is probably my favourite part of the UK and I was able to visit a couple of other friend’s too as well as meet up with Sara Tasker from Me and Orla ( instagram @me_and_orla ) to chat about all things creative and Instagrammy for her new podcast; Hashtag Authentic, which you can listen to HERE
So, here follows my visual re-cap of a lovely few days away…
( above is Rachel’s Grandmother Louise, and both of us below with our mums and Louise circa 1986! ) ( I amused 2 small elves just before their tea time by getting them to collect items and toys in their favourite colours so I could create eye-spy images for them…) ( magazine pages from 1948…imagine what instagram lifestyle images would have looked like then! ) domestic foraging for white things with Sara Tasker after we’d recorded the podcast… muted tones were replaced that evening with wine and multi coloured thread action… …which was still there in the morning! I got home to Brighton last night and this morning was inspired by my trip; Sara’s white ceramics, Rachel’s boxes of treasured bits and as always telephone boxes…
You can see the Steller Story version HERE